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he liked anything to do with science
- the experiments, weighing stuff in chemistry and physics - the
boxes of bronze weights - the way they sat snug in their holes.
The box was held shut with a small hook and eye. Inside the lid
the green velvet was bruised where it had come in contact with the
weights. The knobs were to give something for the tweezers to lift.
Never use fingers - the sweat would alter the weight and render
them inaccurate. He liked all the weights, from the 50 grams - a
real bruiser - right down to the lightest, no more than bits of
metal foil so fragile they needed to be covered with a glass lid
lest they be lost, lest they blow away. The balance itself was enclosed
in a glass and wood box to protect it from draughts. Wind could
skew the results, said the teacher. In really critical weighings
they were told to close down the glass front so that their breath
would not prejudice the result. The weight of your breath. The dark
needle would swing against the white calibrated scale and it would
come to be exactly vertical with the addition of the smallest silver
wisp.
'Dead on,' Martin would say.
And in Chemistry classes titrations amazed
him. How could something change so utterly and so completely? He
would have a conical flask of navy or scarlet liquid in his left
hand. He would have to swirl it to keep the liquid moving until
it would suddenly - with the addition of a single drop from the
burette, turn clear as tap water.
Every time it happened he got a jag of pleasure.
Like when a sum worked out. Or when he suddenly understood something
the teacher said. A clarity. Like the day he understood weight,
that it was dependent on gravity, how hard a thing pressed downwards
was its weight.
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